Posts Tagged ‘cultural traditions’

Mestre Waldemar da Paixão

Saturday, October 17th, 2009

Barracão de M. Waldemar

“My name is Waldemar Rodrigues da Paixão, I was born in 1916, learnt Capoeira from Siri de Mangue, Canário Pardo, Calabi de Periperi… I took 4 years learning, in 40 I was teaching on the Pero Vaz [street from Salvador, Bahia]. Then I kept teaching, now I stopped, I only handicraft my berimbaus.”

(From Paixão, Waldemar da, & Silva, Washington Bruno da, Mestre Waldemar e Mestre Canjiquinha, disco; 1984.)

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Waldemar da Paixão was probably the last Capoeira Mestre teaching informaly. Meanwhile Mestres like Bimba and Pastinha were teaching in academies, he insisted in teaching his apprentices in his roda in the famous ‘Barracão de Waldemar’ (a hut covered with straw), using informal methods. (more…)

Approaching Capoeira Traditions and Philosophy

Tuesday, June 2nd, 2009

CARYBE_COLOR

So far I have been approaching Capoeira traditions and philosophy, and criticizing the ulterior motives underpinning traditionalism (not traditions).

In this post I would like to share two important statements in video from two renowned Mestres supporting my line of thoughts so far. The first statement was taken from the documentary movie Capoeiragem na Bahia (IRDEB/TVE, 2000) and features Mestre Acordeon discussing traditions and changes in Capoeira over time. In the second one you will see Mestre Cláudio Danadinho addressing Capoeira’s inner principles within the institutional movie Volta Por Cima – Capoeira, Educação e Cultura.

I sincerely hope that these video clips helps your understanding of both the dangers of traditionalism and the importance of seeking philosophical concepts as wise means supporting your quest for truthful knowledge in the Art-form. (more…)

Capoeira – Traditionally an Intercultural Practice

Tuesday, June 2nd, 2009

Carnaval - Carybé

Capoeira – The Brazilian People’s Wisdom post received some interesting comments on the role of traditions, as well as the invention of traditions1. A few of our counterparts shared their experience regarding these issues and dropped me some questions.

I do not think anyone is in position to point out what is right or wrong in Capoeira, or what cultural practices we should adopt or vanish from the art. However, it is one of my main goals in writing 4 Capoeira Thoughts, to share with you a few of my insights from nearly 20 years of practice, a lot of my still remaining questions, and invite you to come along in my quest; hopefully, weaving our paths. (more…)

Capoeira – The Brazilian People's Wisdom

Sunday, May 31st, 2009

Mestre Angoleiro

Mestre Angoleiro, by Alice Martins

The first version of this article was written in the 26th of December, 2006 in Brasília, and took chance of an episode with Meste Angoleiro (on the photo), followed with a good chat with him, to discuss some dangers of a traditionalist approach to Capoeira.

After meeting some new friends and bouncing back these ideas, I realised that the issue is as pertinent as ever, so here it goes a revised version as an inaugural posting.

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Capoeira – The Brazilian Peoples’ Wisdom

-“Capoeira is the Brazilian peoples’ wisdom.” This is how Mestre Angoleiro (J. Bamberg), Mestre Bimba’s disciple, tells us how his teacher use to define Capoeira. Today, Mestre Angoleiro feels bothered by the “new traditions” in Capoeira… Quite a fellow!

 

A while ago arriving at an event, he was presented before starting the roda holding his berimbau viola. The responsible came and said: “- Mestre, here is the gunga for you!” Mestre Angoleiro insisted on playing his own viola and yet another comment followed: “-Here in this group the tradition is that the gunga comands the roda and, since you are the oldest Mestre here, you must play the gunga.” Mestre Angoleiro gingou1 for a while from outside the roda, without playing either instruments or singing any song, patiently waiting until the end of the event, and then thanked everyone before leaving. (more…)

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